Fambul Tok was included on Paste magazine’s list of 100 best documentaries of all time. FOLK, Terry’s second documentary, followed three singer-songwriters through the sub-culture of American folk music; the film enjoyed a successful niche film and music festival run, including DOC NYC, Nashville Film Festival and Bonnaroo Music Festival. Terry is a member of the International Cinematographers Guild, and has worked as a story consultant/consulting producer/grant writer on more than a dozen documentaries, including Hao Wu’s People’s Republic of Desire (2018), Kimberly Reed’s Dark Money (2018), Michael Collins’ and Marty Syjuco’s Almost Sunrise (2017), Nanfu Wang’s One Child Nation (2019), Johanna Demetrakas’ FEMINISTS: What Were They Thinking (2018), Lisa Hepner’s The Human Trial (in post) and Sandra Salas’s Into the Storm (in post). Terry is a Sundance Documentary Fellow, a Film Independent Independent Fellow, a Guggenheim Fellow in Photography, a Logan Non-Fiction Fellow and a member of VII photo agency.

Her third documentary, A Decent Home, which she directed, filmed and produced will premiere in fall 2021. It is supported by Ford Foundation, IDA/Pare Lorentz, Jonathan Logan Family Foundation, Perspective Fund, Cal Humanities, Rogovy Foundation, LEF Foundation, Film Independent Doc Labs, Only in New York/DOC NYC and several individual funders including Julie Parker Benello.

Yu Gu’s feature documentary “A Woman’s Work” which premiered at the 2019 Tribeca Film Festival, PJ Raval’s feature documentary “Call Her Ganda,” (Tribeca 2018, Hotdocs, LAAPFF winner, Best Editing, Young Critics Choice, Philippines); “Ovarian Psycos,” a feature documentary directed by Joanna Sokolowski and Kate Trumbull-Lavalle (SXSW 2016, Hotdocs); “Vivre, jusqu’au bout...,” a narrative short directed by Vincent Plaidy (award winner at the 2010 Rhode Island International FF and the prestigious CNC Prix de Qualité); and additional editing on “Before You Know It,” directed by PJ Raval (SXSW, 2013).

She is currently editing PJ Raval’s In Plain Sight documentary anthology series. Victoria is a DOCNY 2020 40 under 40 honoree, the 2019 Karen Schmeer Editing Fellow and organizes with A-DOC, the Asian American Documentary Network. She is a Star Wars nerd and likes fast internet.Her films have been presented on platforms such as Netflix, PBS, and HBO. Alysa is the lead creative advisor for Film Independent’s Global Media Makers documentary track, and she is a 2019 Sundance Institute Momentum Fellow, a founder of FWD-Doc (Documentary Filmmakers with Disabilities) as an ally, and a member of the Academy of Motion Picture Arts and Sciences.

Alysa produced the Emmy-nominated and Oscar-shortlisted Unrest directed by Jennifer Brea, which won a Special Jury Award at the 2017 Sundance Film Festival and was distributed by Netflix and PBS Independent Lens. Her producing credits also include the scripted feature No Light and No Land Anywhere, directed by Amber Sealey with executive producer Miranda July (Jury Award winner, LA Film Festival 2016), and the documentaries What We Left Unfinished, directed by Mariam Ghani (Berlinale, SFFILM 2019) distributed by Dekanalog; Weed and Wine (Deauville, Hot Docs 2020), directed by Rebecca Richman Cohen; and American Masters' Afternoon of a Faun: Tanaquil Le Clercq directed by Nancy Buirski with creative advisor Martin Scorsese (NY Film Festival, Berlinale 2013). Alysa has been featured in Filmmaker Magazine as an independent film innovator. She is a 2020 Film Independent Fellow and a 2019 Sundance Institute Momentum Fellow. She was the co-author of the groundbreaking Sundance Creative Distribution Case Study on Unrest. She holds degrees from New York University and Princeton University. Alysa is a founding member of FWD-Doc as an ally who is committed to advocating for disability rights and inclusion, and she is a member of the Documentary Producers Alliance (DPA) and the Academy of Motion Picture Arts and Sciences.

Sara's work has played in festivals around the world, and received support from the Sundance Institute, Tribeca Film Institute, Hot Docs International Pitch Forum, Catapult Film Fund, SFFilm, Film Independent, and CPH:FORUM among others. She is a 2020 Impact Partners Producing Fellow, a 2013 Sundance Creative Producers Lab Fellow and was named the 2020 SF DocFest Vanguard Awardee.